essentially a deep house disco hybrid with a hynotic (some may say repetitive) beat and featuring a random assortment of the noises I seem to favour. Once in a while it’s ok to listen to loud music. This track will work best best loud and through headphones.
the relentless march of nothingness
a relentless onslaught of the usual nonsensical noises, marching one after the other in a seemingly never ending aural assault with a reggae style half-time beat. Why?
more tea Mrs Armitage?
a funking jam featuring Terrie from Tonehammer on vocals joining Bam Boozle & the horn swogglers plus friends with hammond, bass, guitar, clavinet, drums, moog and a sax section.
two
… a euphoric chilled out house tune with lush strings, envelope shifting, trance gating and meaningless key changes. Best description I can come up with.
pour mon Papa
a piece of piano music I wrote for my father to play and given to him on his 80th birthday. A very enjoyable process which involved some heavy editing … so I can’t play it all the way through and the recording here is how I imagine it could be played. Here is a rough piano score. (A new recording on a new piano with some little changes uploaded 9/03/14).
put this behind us
Bam, Boa, Ed, Ruth and la Faune muck about with a jazz tune and I’m using the last two terms pretty loosely.
betrayal
a piece for orchestra with solo piano, violin and oboe with strings and horns. The title came before the piece and I’m not sure whether it played any part in the direction the composition took.
it’s obvious
… a little jazz jam with new horn swoggler Stephe Hooxan on tenor saxophone with Bam on piano, Ed on drums and Boa on bass.
you know when
a funk soul jam featuring soul sisters Terrie Odabi, Ruth & Stephe on wails, and soul brothers Bam on rhodes, Art on guitar, Ed on drums & Boa on bass.
snowscape
a fairly extensive rewrite of a piece I wrote at the end of 2009 (edited early 2011) – here is a short orchestral interlude with lush strings, solo violins, piano and French horn possibly inspired by all the snow around (but maybe not) when I worked on it and dedicated to my parents.