was then it?

     

a very slow minor blues in B with Art on guitar, Bam on hammond, Boa on double bass and Ed on drums from the “beyond the closed door” sessions.

twenT7teen

     

uplifting track from the band with Boa’s languid bass dominating the groove over luscious pads. Headphones will bring out some of the more subtle noise nuances and quirks.

laughing at myself behind my back

laughing at myself behind my back     

hee hee hee, don’t tell me.

funk-a-ling-a-ling

funk-a-ling-a-ling     

a little bit of fun for these times. Bam’s funk orchestra with a liberal smattering of cheese and ducks. I suggest headphones to sample the usual noise-a-lings.

lest we remember

lest we remember     

a trio for violin played by Ruth, double bass played by Boa and piano played by Bam performed in Boozle Hall.

following from out front

following from out front     

second track from Art Guthie’s “beyond the closed door” series, another messy jam from the echoey Boozle Hall with Bam on Hammond, Art on guitar, Boa on double bass and Ed on drums. Best listened to loud to feel you’re in the hall.

so far from us

so far from us     

a slow track featuring Ruth, Stephe and Blue on voices.

one60four

one60four     

a soundtrack to accompany nine minutes and eight seconds of your life. Probably best with headphones to hear the low sounds and little elements that appear and disappear like jetsam & flotsam in an ever moving and tumbling body of water.

sticking to what we don’t know

sticking to what we don't know     

a jazz funk jam driven by Boa Dubless on bass with Ruth on trumpet, Bam on keys, Art on guitar, Ed on drums and Patrick randomly hitting things. Long time a coming.

the relentless march of nothingness

the relentless march of nothingness     

a relentless onslaught of the usual nonsensical noises, marching one after the other in a seemingly never ending aural assault with a reggae style half-time beat. Why?