the road to Phinn’s Acre

a slow funked up jazz tune by the Bam Boozle Quintet, a right BBQ of a jam with Bam on the piano, Boa Dubless on bass, Ed Thrums keeping the beat, Ruth Tempet on trumpet and Steph Hooxan on the sax.

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on angels’ shoulders

a slow 2-step track with dubstep, orchestral and industrial elements make for a strange and heavy piece full of glitches and ethereal noises.

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duet for piano & violin

… played here by Bam and Ruth. A slow piece, sometimes plaintive, sometimes less so, inspired in part by distant memories of hearing Charlie Chaplin’s soundtracks.

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le Salève

a piece with a darkish heavy mood resolved by soaring lighter sections. Inspired by my memories of le Salève, a mountain with wondrous views of Geneva and surroundings.

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november

more jazz-funk with a hybrid ending – an up-tempo number heavily influenced by JTQ to the point where I think I may have subconsciously nicked some riffs – I hope not.

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Midway-Sunset

slow, hypnotic and weighty piece inspired by the fields of “nodding donkeys” of the Midway-Sunset oil fields in California. I watched these oblivious behemoths feeding off the land each side of State Highway 33 for mile after mile.

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Whole herd a noddin' donkeys

a great shot of the Midway-Sunset oil fields by Uncle Bumpy

it’s obvious

… a little jazz jam with new horn swoggler Stephe Hooxan on tenor saxophone with Bam on piano, Ed on drums and Boa on bass.

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more tea Mrs Armitage?

a funking jam featuring Terrie from Tonehammer on vocals joining Bam boozle and the horn swogglers plus friends with hammond, bass, guitar, clavinet, drums, moog and a sax section.

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same as it ever is

a piece for two pianos, trumpet, violin, cello, double bass and small violin section. Played here by Bam Boozle and the horn swogglers in a big echoey hall. Bam is playing a basic theme again and again while Ruth, Boa, Art, Patrick and Ed muck about on other instruments (made a small change to the cello part, never liked the original – 23/12/10).

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if yesterday were tomorrow

Bam Boozle and the horn swogglers play a simple repeating theme with variations for two pianos, violin and 3 cellos. Bam and Ed on the pianos, Ruth on violin and Boa, Patrick and Art on the cellos.

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monsters…

… big, medium and small rattling around in your head, all friendly but very noisy.

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happy new weird

a strange quirky piece with elements of dubstep and other strangeness. Slow and quite hypnotic in a heavy industrial way. Might break your speakers.

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snowscape

a fairly extensive rewrite of a piece I wrote at the end of 2009 (edited early 2011) – here is a short orchestral interlude with lush strings, solo violins, piano and French horn possibly inspired by all the snow around (but maybe not) when I worked on it and dedicated to my parents.

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G minor blues

Bam Boozle and the horn swogglers play a slow laid-back minor blues in the jazz style for those summer evenings. Bam on piano, Ruth Tempet on trumpet, Boa Dubless on double bass, Art Guthie on guitar and Ed Thrums on drums (Bam & Ruth made a few changes 3/7/2011).

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blues from beyond the closed door

a blues shuffle in D minor with Art Guthie on guitar, Boa Dubless on bass, Ed Thrums on drums and Bam Boozle on the rhodes. Messy jamming in the studio while the other horn swogglers went out for doughnuts.

picture of Art Guthie, guitarist with Bam Boozle and the horn swogglers

Art Guthie

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the crossing

yet another attempt at a piece for orchestra, this time for a fairly large ensemble with full strings, trumpets, French horns, solo flute and oboe and some percussion. A bit melodramatic in parts with lighter quirkier sections. Will no doubt have to be edited further at a later date. (NB. two years to the day when I posted my first track.)

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playing on Mars

a piece driven by an aggressive beat and buzzy bass with a surfeit of lushness, eerie noises, obligatory quirkiness to lighten the mood and some glitches for good m-m-mea-su-sure. Best with headphones and written for the fictitious game “playing on Mars” (imagine buzzing around in a fast hovercraft and stopping every now and then to …..)

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sizzle

imagine if you will, a sextet with piano, double bass, drums, trumpet, vibes and synths playing this jazz tune plus the usual nonsense (an element of the circus maybe??) in a small club near you.

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10 past funk o’clock

a mish-mash of funk and disco with some jazz and other nonsense thrown in for good measure. Featuring solid bass and drums with Hammond, guitars, horns and the odd strings.

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blissential

a laid back hybrid tune with a reggae feel under Mexican-like horn lines and other surreal moments.

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threnody for a friend

for piano and violin. Click here for a rough score.

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mufflewuffle

a laid back hybrid number with jazz and classical themes played on trumpet and vibes over a strong rhythm, underplayed by French horns, pads and other strange noises (added a new trumpet part 20/05/09).

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rondoletto for January

a light-hearted piece for piano to welcome in the New Year (maybe a little late). Click here for a rough score.

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two

… a euphoric chilled out house tune with lush strings, envelope shifting, trance gating and meaningless key changes. Best description I can come up with.

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Bam Boozle and the horn swogglers

a first offering from Bam and his band. A quirky little number, one might say, with piano, accordion, trombone, violin, double bass, glockenspiel and percussion.

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Valkaama

My first feature-length film score. Valkaama, directed by Tim Baumann is a collaborative open source movie project. Click here to find out more.

Valkaama poster

funklife

… another jazz-funk tune with a rocky ending for good measure, with guitars, hammonds, horn lines, moog melodies and some funky bass and drums.

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bring on the pie

a quirky country number submitted unsuccessfully for an advert currently running on UK TV. Click here to see and hear it.

moodles

click here for idents and shorter pieces

pour mon Papa

a piece of piano music I wrote for my father to play and given to him on his 80th birthday. A very enjoyable process which involved some heavy editing … so I can’t play it all the way through and the recording here is how I imagine it could be played.

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gravity

heavy and moody tune with lighter more melodic moments. The raw distorted guitars, weighty drums and bass make this the closest to some kind of rock that I’ve done (closer followers of the genre would have to sub-classify it for me).

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bounce

a quirky little house/deep house tune (who knows?) with a solid beat, a driving buzz bass and little middle-eastern sounding riffs.

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here we go

a cheesy jazz-funk tune à la JTQ to get things started.

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betrayal

a piece for orchestra with solo piano, violin and oboe with strings and horns. The title came before the piece and I’m not sure whether it played any part in the direction the composition took.

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reverie

a very short piece submitted for the following request (not accepted I hasten to add).
Project Name: TV Commercial
Project type: Advertisement
Description: A large advertising agency is looking for a dreamy, soft track that will be used with an ad for cosmetics. The melody should be very engaging, soft and inspirational for women.

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just one more

some rock (and a little reggae) submitted for the following project ” …. a new tv series called 3beers that will be broadcast nationally. We can’t tell you too much more about it, but we’re currently seeking some music for our title sequence/intro. We’re looking for something to brand the show, to bring it to life and to make it memorable. We’re looking for a 2 minute track, we don’t want any vocals. We believe we’d like it guitar driven, with a recognizable theme …. ” 60+ other tunes also submitted so unlikely to be the one, but still fun to try for.

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